Sherwood Oracle Review

I have been eagerly awaiting the publication of the newest branch of the Wildwood Tarot tree, the Sherwood Oracle. Created by Wildwood authors Mark Ryan and John Matthews, this oracle has a different artist – Anne Yvonne Gilbert.

The deck is published by Sterling Ethos and the US publication date is before that of the UK (UK is end of May 2024).

I was absolutely delighted when a review copy of the deck arrived for me to take a look at – this means I can share my review about the deck before the deck sales are live, allowing you to pre-order it (at all good bookshops!). An order link for Amazon (affiliate link) will be at the end, should you need it.

Let’s get started!

First of all let’s take a look at the box – not because I think you’ll be keeping the cards in the box, but because I want to make it crystal clear what the legitimate deck box looks like, rather than any counterfeited item. Plus, it’s a gorgeous box! With an image of the Green Woman on the front, the flip top is held in place by a magnet – this makes it feel nice and sturdy.

Inside, you have a box-sized companion book, a folded map of Sherwood Forest and nestled in the heart of the box, the cards of the Sherwood Oracle.

I have no patience, so I dived straight into the cards and raced through them, drinking in the imagery. Gilbert uses pencils in predominantly earthy tones which gives the artwork a soft and dreamlike appearance. The cards are borderless (which will make my border-removing friends very happy!). This lack of frame makes the images feel immediate and when placed side by side, the cards flow together. The card stock is standard, I think, with a satin-like finish. I did notice that the Sherwood Oracle cards are not the same dimensions as The Wildwood Tarot – the Wildwood is a couple of mm thinner and the Sherwood about 5 or 6mm longer. This isn’t a problem in itself, of course, but if you had thoughts of combining the Wildwood and the Sherwood into a massive meta-deck, you won’t be able to do so.

It’s a 35 card deck and features all the characters that you know and love from all things Robin Hood – alongside folkloric names such as Little John, Herne the Hunter and The Green Man there are places from the tales – The Major Oak, Kirklees Priory and Nottingham Castle.

As you might expect, the characters lean heavily on the male side with only three cards having overtly feminine energy – Maid Marion, The Prioress and The Green Woman. I would say that these three cards encapsulate the energies of the tarot’s High Priestess and Empress cards.

The deck is divided into sections:

The Outlaws (Robin and his cohorts) has 14 cards.
The Adversaries (Sheriff of Nottingham etc) has 4 cards
The Wild Ones (Herne the Hunter, Wayland the Smith etc) has 6 cards
The Dancers – The Hoodeners – is only one card (and represents YOUR little gang)
Places in Sherwood – The Major Oak, John Barleycorn’s Field has 10 cards
but one of them, The Way Through The Woods, represents the Seeker

All the cards are named and numbered, with Robin Hood first and The Way Through The Woods numbered 35, last.

It’s vital to have the guide book for working with this deck, otherwise you won’t have a clue what each card means!

Each card has four or five pages devoted to it in the companion book. Each card entry begins with a large monochrome image of the card and is then followed by pointers on how the card works as a companion and a challenger. There is also a blessing, plus lore on an associated tree and concludes with questions that the character might ask, depending on where you find him/her on the Sherwood Forest map sheet. I would have loved to see every tree associated with each character on their card – and this IS the case with many of them, but not all.

The map sheet shows each of the Sherwood places as ‘houses’ for various of the cards. For example, Kirklees Priory is home to the Prioress, Nottingham Castle to the Sheriff of Nottingham.

When using this map as a divining sheet, where you would deal cards randomly onto each house, you will reference this end section for each card to find the appropriate question.

For example, if I drew The Saracen on The Priory, a check at the Saracen’s section in the guide book gives me the question for The Priory: How do you perceive yourself?

The companion book is, at over 250 pages, so much more than just a LWB with definitions of each card. The opening section paints a picture of Robin Hood’s world and invites you in to the Forest. The second section defines the cards and how to use the Place cards with the map, The third section explores how to use the cards – including meditations with the cards called The Wild Ones. The book concludes with extensive lists of excellent resources and further reading.

The $64k question is: How does it read?!

I’m still very much in the ‘getting to grips with it’ stage, but have used it as an amplifier for a Wildwood Tarot reading, the results of which really took me by surprise (and I’ll cover in a separate blog post as this one is ‘normous as it is). I would confirm that it was bang on the money with those Sherwood Oracle cards dove-tailing beautifully into the reading.

At the moment, I am drawing one card in the morning and reading that character’s ‘blessing’ which is proving a lovely thing to do – having a character from the Sherwood tales as a daily guardian is so nice. Yeah, even Guy of Guisborne!

Do I recommend it to Wildwood Tarot fans? Yes I do! It might be a slightly different size and have a different artist, but these cards are most definitely from the same folkloric realm and extend the Wildwood (and Greenwood!) Universe by one more set of cards.

I’m looking forward to seeing the Sherwood Oracle out in the wild and hearing your own thoughts about it too.

Wildwood Tarot Court Cards – Gaelic Names

My specialist area of interest in tarot is working with the court cards. In my other blog (Tarot Thrones) I talk all things court cards with the aim of making them fun. Yeah, I see your eyebrows shooting up into your hairline at the inclusion of both ‘court cards’ and ‘fun’ in the same sentence. OK – if not FUN, at least equip folks with a lot of tools to make working with them a lot less of a bind!

In fact, I wrote a book about that *coughs and discretely links to it lol!*

I asked a week or so ago in the Study Group whether people might be up for a Facebook Live there on working with the court cards and so far the response has been good, so we’ll definitely be doing that – and I’ll post here once I’ve decided on a date and time.

Last week was Seachdain Na Gàidhlig (Gaelic week) and my tiny contribution to spreading the word about Scottish Gaelic was sharing the names for the animals of the Wildwood’s court cards in 4 short videos for the Study Group.

So, here they are, for future reference!

Page of Arrows Wren Drathan
Knight of Arrows Hawk Seabhag
Queen of Arrows Swan Eala
King of Arrows Kingfisher Gobha-uisge

Page of Cups Otter Dòbhran
Knight of Cups Eel Easgan
Queen of Cups Salmon Bradan
King of Cups Heron Corra-ghritheach

Page of Bows Stoat Neas
Knight of Bows Fox Madadh ruadh or Sionnach
Queen of Bows Hare Geàrr
King of Bows Adder Nathair

Page of Stones Lynx Lioncs
Knight of Stones Horse Each
Queen of Stones Bear Mathan
King of Stones Wolf Madadh-allaidh

Scottish Gaelic is a branch off from Irish Gaelic and I reckon that if I was in a pub with an Irish Gaelic speaker (and they spoke really, really, slowly!) I could understand them.

Well, I can dream!

Do you know all the court card animals from the Wildwood in another language? Do share!

How to shuffle your tarot deck

Shuffling can be an unlikely hot topic in the tarot world: How do you do it? Do you let other people shuffle your cards? What do you do with Jumpers? This last point has nothing to do with knitwear!

Over on the Wildwood Tarot study group, we posed the question: what’s your preferred method of shuffling? We got as many different methods suggested as there were people answering the question.

Of course, you can have the bog standard shuffle (hand over hand) style which pretty much everybody does at some point during a reading. However, there are other techniques which you might like to try to switch things up a bit:

FW favours a shuffle and then fanning out all the cards in the deck before passing her hand across the fanned out cards, paying attention to any sensations in her hand that might indicate a significant card.

Perhaps you don’t want to use your hand. SP shuffles using two different methods, each three times and then cuts the deck into three piles before using a pendulum to select cards.

RB splits the deck and slips the top half beneath the bottom half until she feels that it’s time to stop.

KP shuffles and pulls from the top. If the cards don’t feel ready, KP then shuffles face-up until a Major appears, then shuffles face-down and then starts drawing cards from the top.

NOBODY selected the dreaded casino riffle!

Photo by Prathyusha Mettupalle at Pexels

Do you let other people shuffle your cards when reading for them?

At the end of January, I ran a totally unscientific poll on the study group and invited people to vote.

As you can see 126 brave souls voted, with 46% dead set against letting anyone else handle their cards, but 54% were either not bothered or quite happy to let other people touch their cards.

I’m one of the folks who voted Yes! but to tell you the truth, it depends on the deck. Yes, I’ll let people shuffle my Wildwood, but I won’t let them shuffle any privately-printed decks that I own. They’re too expensive to replace!

The joy of the Wildwood Tarot (or should I say, one of the MANY joys of the Wildwood Tarot) is that because it is a commercially printed version it can be easily replaced without too much heartache.

I rather enjoy a ‘smoosh’ type of shuffle where I spread the cards on the carpet (face down) and just mix them up by smooshing them around. Once the smooshing is complete, I shuffle hand-over-hand with the question in mind. I set the intention that it will be the Xth card from bottom (day of client’s birthday, day of the month etc) and select the appropriate card. I do that for every card position in the spread.

If I’m looking for two cards – for and against, past and future etc. I decide on a significator (so many ways to select a significator!), turn that card back to front in the deck and shuffle hand-over-hand. Then I work through deck without disturbing the order of the card until I spot my wrong-way-round card. Then I simply take the card above and below the significator. If a third card is required, it will either come from the top or bottom of the deck.

This is quite a handy system to have when reading at fairs etc when smooshing on the carpet is impossible and you have a lot of readings to get through.

And Jumpers, what are they?

A Jumper is that card that flies out of the deck, regardless of how carefully you are shuffling. Some people just chalk it up to over-enthusiastic shuffling and pop the card back into the deck, others keep the Jumper to one side and read it as a special message for the Querent from the deck about the issue in hand.